Winston entered into a collaboration with James Cameron, the director of the “Terminator” films and “Aliens.” His creepy exoskeleton effect for the villain in the first “Terminator” film inspired a host of imitations. His work on the television movie “Gargoyles” won him an Emmy Award, as did his makeup effects for “The Autobiography of Miss Jane Pittman,” in which the title character ages from 19 to 110. He earned a degree in art at the University of Virginia then set out for Hollywood.Īfter seeing “Planet of the Apes,” he entered a Disney apprenticeship program and became a makeup artist in 1972. Disneyland’s animatronic Abraham Lincoln only deepened his obsessions. Stan Winston was born in Arlington, Viriginia, and as a child was fascinated with puppets, monster movies and special effects. Winston won four Oscars for his film work and in 2001 he became the first special-effects artist to receive a star in the sidewalk on Hollywood Boulevard. He created the extraterrestrial assassin who hunts Arnold Schwarzenegger in “Predator,” the hands of “Edward Scissorhands” and the Penguin (from the neck up) in “Batman Returns.” Winston, the unexpected leapt from the screen in dozens of films. “It’s about writers writing wonderful stories with fantastic characters and me being able to create a visual image that’s beyond what you would expect.”Ĭourtesy of Mr. “It’s not about technology,” he once said. Winston insisted that he cared less about technical wizardry than he did about storytelling. The cause was multiple myeloma, said a spokesman for Stan Winston Studio.Īlthough he created some of the most famous special effects in movie history, Mr. Stan Winston, the Oscar-winning special-effects artist who created the animatronic dinosaurs in “Jurassic Park,” the slimy 14-foot alien queen in “Aliens” and the liquid-metal assassin in “Terminator 2,” died Sunday at his home in Malibu, California.
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